You know things get weird when Adam cops to snagging discarded prosthetic body parts from beside a dumpster, but that’s the journey that “Parts” (S6E22) takes the Munchie Boys on this week. A wildly discordant episode sends us careening from possible psychopathic killer dismembering his victims to the interesting world of the hasidim to body parts for sale to black market organ transplants, figuring out a way to shoehorn Marlee Matlin and Isiah Whitlock Jr. into the proceedings. Munch feels things. It delivers a bunch of cringe, and by the end, the severed head found in a Topaz with a throat full of seed is but a distant, resoundingly forgotten memory. Come for the insanity, stay for the deep dives on Haredi Judaism and a willed body mess that grew into a full-blown tempest.

Though "Turmoil" (S11E8) was not the best SVU in the series, this slapped together melange of homoerotic fan service, intra-Stabler household drama, impossible travel times, and substandard professional ethics does provide the Munch My Benson boys with plenty of food for thought: Did Dickie Stabler kill Bin Laden? Just how many bodies did Elliot drop this episode? And, of course, is redemption even possible in this economy?

Where to begin? Benson isn’t Stabler’s partner and is working in Computer Crimes. You’ve got the most aggressive sexualizing of a minor yet covered in the annals of Munch My Benson with Connor Paolo returning in one of the most insane episodes of SVU imaginable. There’s a shocking bout of TARU brutality. Kids are making mid-six-figures on their tween twink porn sites. Pedos are catfished. And the cold open's got the Molesto Muppets. This very episode was one of the handful Adam had in mind when the pod was a zygote in our hive-womb, and it DOES. NOT. DISAPPOINT.

Utter insanity abounds. Hold onto your butts, kiddos.

Today's SVU episode ("Hothouse" S10E12) takes some fairly wild turns between drifting bodies, Ukrainian prostitution rings, elite prep schools, and the New Jersey justice system, but somehow Josh and Adam take it even further. We discuss tide charts, the identity of "the rich man's Brian Brown," the concept of Zugzwang, and the fate of Imre Nagy among many, MANY, other things.

What do Fetal Alcohol Syndrome, Knicks' great Allan Houston, and legendary Austin corpse defiler Laura Hall have in common? Well, they are but a small taste of the wild series of digressions the Munchie Boys take as they review "Choice" (S5E7), an episode of SVU that features a host of recognizable actresses from the past. Small business owners and customer service professionals will be especially interested in Josh's excellent advice on how not to talk to your customers.

The Munch My Benson Boys dive into yet another Season 3 ep of Law And Order: Special Victims Unit this week with "Execution" (S3E15), which forces us to confront a few disturbing questions: Can necrophilia be mundane? How did people choose a cable TV package in the early/mid 1990s? How much did Kristaps Porzingis break Knicks fans' hearts? And of course, how did Nic Cage's hair look so dang good in Con Air? Word of caution, this episode is extremely dark, even for SVU standards.

In a true gem of an episode of SVU, The Randomizer spat out “Prodigy” (Season 3, Episode 13), which took Adam and Josh on quite the journey. Michael Pitt playing an apparent future serial killer and doing it spectacularly? Check. Continuing disparagement of van owners that cuts Adam to the bone? Check. Add the brainmelting first appearance of Mike Doyle as Not O’Halloran, staging victims in weird sexual poses so the perp can write about it for his prison masturbating buddies, the hazards of huffing Pam, and problematic content for days, and you’ve got the recipe for a truly special journey through the twisted darkness of the Dickwolf Universe.

Emily Deschanel stars in Season 3 Episode 17 of SVU, Surveillance, which features a web of people who are all dangerously obsessed with the titular Bones star. This leads Josh and Adam down a litany of bizarre and digressive topics including, but not nearly limited to, Julio Cortazar, the best sexual positions for self-filming, David Boreanaz's bank account, and, of course, which instrument in the orchestra is the sexiest. Come along for a wild ride.

It's a postmodern joyride for our hosts this week, as Adam and Josh confront one of the stranger episodes of Law & Order: SVU, "Pretend" episode 21 from season 8. Storylines are layered on top of each other like a fresh spanakopita, and various meta-narratives are exposed: Is casting a 25-year-old who can pass as a teenager to play a 28-year-old who passes for 16 a function of the plot or an indictment of the entire entertainment industry? Can luchador and extreme wrestling mix? Will Adam ever get a quiet moment again? Add in gimp masks, grief nuts moms, and sex offenders rights activists ,and you'll begin to appreciate the level of madness that awaits within.