Adam's Paternity Leave continues, but there's light at the end of the tunnel, so let's get conspiratorial.

What happens when a quaint little ripped-from-the-headlines Law and Order: SVU plot becomes a raging storm of insanity that sweeps the nation and leads a ragtag mob of jet ski dealers, realtors, and Neo-Nazi extremists to invade the United States Capitol? Well, the Munchie crew does their level best to answer this question and many many more as they watched "Real Fake News" (s18e17). Do you want to know what a teenaged Adam was watching at 1 in the morning on Austin cable access? Are you intrigued by the concept of a hot pot fusion restaurant that fully immerses you in a 4D psychedelic experience? Are you ready to mainline some pro-MSG propaganda and get fully Umamipilled? Everything they told you is a lie, unless, of course, they told you to fire up this hot Munch My Benson.

Adam's Paternity Leave continues, so why not cross the jump right back to where the Randomizer kicked us out to immediately after we did the three-part mega-Cragenisode?

Praise be to the SVU Gods and the Randomizer because this week's Munchstallment “Russian Brides” has it all. The seventh ep from season 13 not only thrusts a rusty Captain Cragen into undercover duty for the first time since before Cabot and Amaro were born, but it also traumatizes you with way-too-specific details as to what our vic went through before perishing. Add to that the unrealized prospect of high-end koozies, the irony of nicknaming a neighborhood Odessa by the Sea when the O.G. Odessa is in fact by the sea, a journey into the daunting world of the vory v zakone, and the fact this this episode feeds directly into the huge three-parter we just spent the past three weeks poring over, and you've got the recipe for a very tasty Cragenisode with a blini and a heaping portion of Captain Don's bottomless pit of sorrow.

Adam's Paternity Leave continues, so why not cross the finish line of the three-part bonanza that put Captain Don Cragen in more existential peril more than any Captain should be.

In Part 2 of our deconstruction of the epic two-parter, "Lost Reputation/Above Suspicion" (S14E01), Josh and Adam get deep into the nitty gritty of the pressing questions that energize Munchheads the world over: Which French noir director had a better grasp of mise en scene, Jean-Pierre Melville or Henri-Georges Clouzot? Is consensual knife play more GGG than paying escorts to talk to pathetic old men? Is Dean Winters actually, after all these years, a good actor? Find out the answers to these important questions plus a breakdown of the massive amount of plot in this mega episode of Law & Order: SVU.

Adam's Paternity Leave continues, so why not continue down the path that imperils Captain Don Cragen more than any Captain should be.

If you thought that Munch My Benson would approach the hour-and-a-half-long Season 14 Premiere mega-sode "Lost Reputation/Above Suspicion" with a pithy plot reconstruction and a few succinct comments, you were sorely mistaken. This televised love song to Dann Florek provided so much material for Josh and Adam that it had to be broken up into roughly equal parts. This week's topics include GamerGate, a Meadow Soprano drinking game, obscure Haitian rums, tulpas, Henry Winkler, and, of course, an in-depth history of the wizened, hairline-challenged, not-quite-leading men of television. Prepare for a wild ride.

Adam's Paternity Leave continues, so why not walk down the path that imperils Captain Don Cragen more than any Captain should be.

The cliffhanging Season 13 Finale “Rhodium Nights” is an episode that belongs in the pantheon of SVU entries, featuring what has to be the most memorable ending in the entire series. This wild ride takes us down a slew of odd paths, including discoveries of Rollins’s economic beliefs, explorations into load volume, lamenting meddlesome US foreign policy, and travel recommendations for border towns. There’s TONS to talk about in this one, which is a truly shocking installment of television.

Adam's Paternity Leave continues, so let's ruin everyone's youth all over again.

IT IS HERE! LUKE F***ING PERRY, Y'ALL.

Are you holding onto your butts? Are you ready to have Law & Order: Special Victims Unit lay waste to your childhood? To destroy the sacred bond you shared with THE heartthrob of the '90s? To see the profound damage said heartthrob did to the very recognizable women he violated after leaving the glamorous environs of Beverly Hills?

In what might be the stuntcastiest episode in SVU's storied history, Dylan McKay (Luke Perry) does some pretty bad things to Darlene Conner (Sara Gilbert), Carol Vecsey (Julie Bowen), and our collective innocence. This episode is what started this whole venture back when it little more than a bitchin' name. Yes, via this insane show, Dylan McKay rapes our youth.

Adam's Paternity Leave continues, so why not go undercover again?

Today's SVU episode ("Hothouse" S10E12) takes some fairly wild turns between drifting bodies, Ukrainian prostitution rings, elite prep schools, and the New Jersey justice system, but somehow Josh and Adam take it even further. We discuss tide charts, the identity of "the rich man's Bryan Brown," the concept of Zugzwang, and the fate of Imre Nagy among many, MANY, other things.

Adam's Paternity Leave continues, so let's get dark and problematic this week.

Mere weeks after covering its successor in the Baby Doe Parentage Saga, the Randomizer selected “Undercover Mother” (Season 16, Episode 15) for the Munchie Boys to cover.  Undercover Mother is frankly an insufficient moniker to give this episode, as another mother goes undercover for our undercover mother, along with most of the rest of the Unit. Insanity reins supreme as SVU’s undercover op interferes with Declan Murphy’s own undercover op, one in which he’s working on taking down the brutal Johnny D but not without showing that he’s in so deep that he’s basically a human trafficker himself. We talk the careers of Lili Taylor and Donal Logue, the history of the defunct Creedmoor Psychiatric Center, Eric Adams’s purported sleep schedule, SVU’s love for undercover ops, and much, much more.

Scarred by a gruesome SVU case ripped from even more grisly headlines, Adam and Josh trudge through the murk of “Hunting Ground” (Season 13, Episode 15), which forces them to get familiar with the yet-to-be caught Long Island serial killer. While exploring the most devastating ep in Munchstory thus far, the topics of Amaro’s olfactory prowess, the chance that he’ll get a thirst for blood, the hazards of Longview, and the nuanced but tangled mess that was the Backpage are all covered. Come along for a journey through the darkness. We’ve got the flashlights.

Adam's Paternity Leave continues, so we're going to dive into the brainmelty world where actors from the The Wire invade SVU and throw us all into a tizzy, as they occupy a shared universe.

It is a wonder that "Underbelly" passed NBC's Standards and Practices Department for any number of reasons. It sexually objectifies real-life 14-year-olds, it is extremely racist, it makes offhand references to piss play, and it takes us on a mind-bending Pynchonian journey to an interzone where The Wire both exists and does not exist depending on the exact placement of John Munch on the Eastern Seaboard. Join Josh and Adam as they unravel a bizarre case involving Stabler, Munch, Sister Peg, Beck (wait who?), and the cast of Season 4 of The Wire and learn about vintage Ferrari pricing, chemical spills in Nunavut, and the mating behaviors of 40-something divorced Dads.

Adam's Paternity Leave continues, so why not get down with the second of two wildly problematic Jeremy Irons episodes?

Sometimes life gives you lemons, and sometimes—if you happen to be on Season 12 of SVU—life gives you three days worth of legendary caulkhead, Jeremy Irons. It is a testament to the bizarre universe this often beautifully odd show inhabits that they chose to use that time to have him unpack the psychological trauma borne by two sisters who were repeatedly spoon-raped by their own mother. Yeah, this episode goes there, then turns around, and goes back for more. We, of course, use this absolutely depraved premise as a springboard into discussions of Josh's car troubles, Adam's isolation, the poor woman's Glenn Close, the rich man's Bryan Brown, and, obviously, our plans to ride out armageddon. As always, rate and review the podcast, and keep on munching.

Adam's Paternity Leave continues, so why not get down with some wildly problematic Jeremy Irons episodes?

Super famous Oscar-, Emmy-, and Tony-winning actor Jeremy Irons sashays through this week’s wonderfully messed up episode of SVU—S12E13 Mask. He attempts to reckon with his out-of-control Cape Cod Summer o’ Sex two decades prior. Of course, if it comes up in the course of an investigation on this program, you know the effects are still being felt of his indiscriminate adulterous boning of everything that moved in Falmouth, and this time, they’ve gotten his daughter and her lover attacked.

This gleeful voyage into the world of sexual addiction is fertile ground for plenty of discussion about such subjects as: parsing the paradoxical simultaneous adoration of Tony Blair and loathing of George W. Bush, tattoo critique, teen boys having pervdar, the strange ol’ days of Spice, summers on the Cape (and the corresponding nighttime water temps), the Kamadeva, and the broad, beautiful spectrum of paraphilias. Turns out, there’s tons of fun to be had when Jeremy Irons is a recovering sex addict trying to get his addiction codified in the DSM-5.

Adam's Paternity Leave continues, so why not throw to an episode we did that ties in heavily to this week's episode of Last Week Tonight with John Oliver?

Faced with an episode with a helluva third act left turn, Adam and Josh reckon with a first-half A-plot borrowing heavily from the Terri-Rick saga in Degrassi before the second half shockingly grasps for a ripped-from-the-headlines story with a crooked juvenile court judge inspired by the nefarious goings-on in Luzerne County, Pennsylvania. This leads to an exploration of both the Luzerne County Kids for Cash scandal and the grotesque systemic judicial overreach currently happening in Rutherford County, Tennessee.

Don’t worry, Josh and Adam find plenty of non-infuriating things to talk about, including the bizarre connection between Melinda McGraw and Alex Kingston, delightfully impossible photoshopping, Icelandic reproduction clearance apps, Lehman Brothers tearing the US economy to shreds, the origins of sexting, what other franchise Stuckey really belonged in instead of SVU, and (of course) Meloni’s rock-hard buns.

Come get some.

The Randomizer gifted us with a wild Law & Order: SVU thrill ride featuring Hollywood legends Pam Grier and John Heard (“Disappearing Acts” S4E5) wherein a rape investigation leads Benson and Stabler into a massive federal investigation of some really really bad dudes. Do our heroes acquit themselves well in this complex and trying situation? No, not at all. Do we enjoy discussing Adam's time out on the town, Josh's former neighbors, a variety of big money scams, and, of course, speculating about the standards and practices meeting that let the first 6 minutes of this gem burst through the cracks? Obviously.

Adam's Paternity Leave continues, so we're going to drop in the second of a pair of brainmelters.

The Randomizer thrust Shiri Appleby back into Munchstory for the second time in three months in "Dearly Beloved," Episode 19 of Season 20. If you want an SVU where the entire field of psychotherapy called into question by a perpetrator/victim combination for whom the concept of truth is akin to cheap toilet paper you stole from your job, then this is the episode for you. Do good therapists tell their patients/victims that they suffer from erotic rape fantasy disorder? Short answer: no. Long answer: well, how's about you take a listen?

Adam's Paternity Leave continues, so we're going to drop in the first of two brainmelters.

After reckoning with the horrific current events aspect of this week's installment, Adam and Josh get down to brass tacks with “Military Justice,” which depending on where you watch it is either Episode 7 or 8 from Season 15 of Law & Order: Special Victims Unit. We discuss the essence of Galveston, the most heinous crime in the Boschiverse, the general self-preservation skills of ensigns, and Rollins straight-up laying a dude out, while marveling at a shockingly good episode of SVU complete with efficacious character development and some real tearjerking moments. And a lot of peen.

Adam's Paternity Leave continues, so we're busting out the second part of a hellish two-parter.

When we watched the conclusion to the two-part Season 19 finale ("Remember Me Too" Episode 24), we might have taken the opportunity to research the migration patterns of monarch butterflies or the structure of the Sinaloa Cartel or the various degree programs at Gonzaga were this a standard, functional episode of SVU. Instead, we were treated to a mind-melting melange of unbelievable plot lines, inconceivable character motivations, and abysmal acting. Was it good? Obviously not. Did we have fun watching and then excoriating this complete and utter waste of network resources? You bet we did.

Adam's Paternity Leave continues, so we're unleashing the first part of a hellish two-parter (with the second half to follow next week).

What happens when the season from which light cannot escape—SVU’s 19th—bestows upon the world a two-part finale? An unintelligible, unmitigated disaster. Reality and common sense fold in on themselves, and we’re all left to try to make sense of the hellish mess that is “Remember Me” (S19E23). When character motivation, logic, and how technology actually works are entirely discarded, you are left with a confounding mélange of nonsensical dialogue and wild conclusions with nary a passing relationship to reality. Needless to say, this ride—a wild one for all the wrong reasons—gave the Munchie Boys plenty to discuss.

Adam's Paternity Leave continues, so we're going back to the well to pull an episode that feeds our Benbot passion.

Sometimes the Randomizer giveth; sometimes it taketh away. It’s sort of like SVU that way. This week it gave an episode that takes us all on a wild ride from a stairwell in Chelsea to the grim realities of life in the Democratic Republic of Congo. Along the way, jealousy abounds, Benbot enjoy a romantic candlelit dinner, Adam breaks down the past 150 years of strife in the Congo, Amazing Grace and Chuck is deduced to have done some ripping from the headlines, no one wants to believe our victim—Lainie McCallum, played by Diora Baird—and a cut hand yields some unexpected outcomes. The Munchie Boys tackled “Witness” (S11E16), so hold on to your butts.

Adam's Paternity Leave continues, so we'll re-release a stunt-casty ep with some pretty left turns.

Law And Order: SVU frequently takes the viewer to uncomfortable places, and Josh and Adam are no strangers to the depths of the criminal imagination. Still, they were not fully prepared for this vertiginous descent into the tawdry wrinkled world of swinging elder sex. If you want an in-depth discussion of the ethics of mercy killing, the NYPD’s somewhat lax emergency first aid standards, and whether or not one should speak to the police while wearing nothing but a fully open robe and a smirk, then you've come to the right podcast. Benson, Stabler and the rest of the squad are joined by stars Jane Krakowski and Anthony Rapp for "Bound" (Season 5, Episode 23). This will definitely leave you "satisfied." Enjoy!