If you were expecting a nuanced take on the damage that prisons cause to those inside coming from in "Escape" (S5E11), you might be disappointed. In this SVU, two ex cons buy their way out of the joint, galavant around the town in drag, and take Olivia Benson to the Jersey Shore. We meet one of Liv's former paramours, decide whether or not unfortunate early '00s fashion choices were the result of America's imperialist adventures overseas, and listen as Adam summons an ancient one.

When the son of an influential right-winger is found beaten to death and drenched in semen, red herrings abound until we learn the shocking truth.

That truth is that the Munchies are in the throes of a full on Cassidissance. Our boy Mayhem keeps his head throughout this Season 1 attempt to tackle the time-honored debate as to whether a criminal's nature causes them to commit heinous acts, or whether the terrible environment they were nurtured in is more to blame. I'm not sure the philosophy works, but there's plenty of fun to be had nonetheless.

On this week's Munch My Benson, we wonder openly if the world would be a better place if the two leading actors from a certain 1985 Peace Corps comedy had a little less chemistry. While we certainly do break down this Season 12 stinker ("Delinquent") from the dark days just before Meloni left SVU, we go hard on the digressions in this one folks, so get ready for the only SVU podcast brave enough to incorporate Dolph Lundgren's Japanese bonafides, Finnish art house darling Aki Kaurismäki, and radical fecal gymnastics in a single episode.

The Munchie Boys tackled a tough one this week, as Stabler is forced to investigate the murder of an admittedly odious perp he'd locked up previously. If ever there were an episode that wallowed in the "you can't choose your victims" edict, it's this one. "Victims" also has some pretty big names in it to go along with some pretty rough pre-9/11 fashion and a Guardian Angels storyline that gives Adam a bit to talk about.

This week the Munchie boys watched “Counselor, It’s Chinatown” (S21E7) a wildly inappropriate Law and Order: SVU which has Josh and Adam careen from such wildly disparate topics as: Is noted scumbag Chris D'Elia is a cardigan guy? Which professions suffered most during the Chinese Cultural Revolution? And, does the NYPD have an undercover dog requisition service? We'll rub and tug our way to the bottom of these and many, many more questions. Sadly, due to climate change, there is a lot of Max on this one.

This week the Munchies chose an episode in which Adam "Gamergate" Baldwin introduces us to everyone's favorite ADA, Raphael Barba. Rollins, Munch ,and Amaro start a book club about the hottest new chic-bondage-lit sensation, Twenty-Five Acts, whose author turns out not to be the author which doesn't prevent her from being raped by a terrible talk show host, who shockingly is not a cabinet member in our current administration. As the pièce-de-résistance, Barba engages in a little inculpatory choke play to guarantee his first high-profile conviction as a member of the unit.

After Adam tells of his travails in the Texas winter storm and ensuing power outages, the Munchie Boys get down to business, reckoning with the ghost of series past while persevering through an episode of Law & Order: Special Victims Unit featuring a robot child mimicking human emotion stuck in the strangest of custody battles in “Stolen” (S3E3). While dealing with a bonafide Cragenisode courtesy of his former partner Max Greevey’s cold case getting tossed in the microwave, Adam and Josh also dive into post-9/11 SVU credits, do some height detective work, walk the Appalachian Trail with Mark Sanford, and unearth a fictional Juris Doctor degree. They also follow up on last week’s promise to watch and talk about the late ‘90s truckin’ Swayze gem, Black Dog.

Elliot meets another father of a daughter, only the other father's daughter just died in an alley having just been sodomized and humiliated, meaning there's some sympathy pain for Stabes to experience. These fathers are both on a tear, and it's hard to say who does more damage in this one. Needless to say, if Stabler’s getting reprimanded by Cabot for helping a suspect, things are topsy-turvy in Dadland. Of course, this being Munch My Benson means there are tangents, including what kind of bets a college kid could have made to dig himself a $5K hole on the 2003 Super Bowl and a dive into the NYPD's heinous brutality done unto Abner Louima, so hold onto your butts.

This week's SVU starts with a mutilated corpse found in the Hudson then heads out on a wild ride from amateur porn shoots to borderline psychotic astronomy fans. We also learn the deep mystery behind Dickie Stabler's name, and we see Elliot's faith in his boyhood heroes get shattered like the glass display case into which he throws Big Dick Finley (James 'F**king' Brolin). Lots to see here folks. Lots.

In this exercise in somewhat effective stunt-casting, Stabler gets pitted against his untethered analog, a rage-fueled annihilator of tween girls played by erstwhile star actor Matthew Modine. Yes, this week, the Munchie Boys took on “Rage” (SVU S6E17). In a structurally odd episode that pits rager against rager in a ticking-clock, nearly locked-room scenario until it suddenly isn’t and renders much of what preceded moot, Stabler tries to nab the one who got away while confronting his own anger management issues. Don’t worry, there’s also talk of malodorous food PsyOps, truly pornographic whistling, edging, the nature of the San Fernando Valley, Modine’s inability to shed his yuppie prick veneer, and so much more.

The Tibetan Freedom Movement, haute couture boots, Green Card marriages, and extreme foot fetishism all collide in this classic grab-bag installment of SVU. A couch ends up being at the center of the action in this episode, which we'll all assume got the sitting Vice President of the United States all hot and bothered. We also have a stealthy very bad mom in the mix, which makes us question everything about small business owners.

This week, The Munchie Boys tackle a Finisode preoccupied with unpacking Fin's history while an undercover with Narcotics, more than a decade after the fact. Rollins gets improbably shot, which leads to an unhealthy dose of police brutallity and metaphorical prison rape threats, but that's not nearly as shocking as some truly disturbing home-decor-driven revelations upon meeting a seemingly normal family with a secret left unspoken.

Alexandra Eames also pops up in this episode, which means there’s a little bit of Criminal Intent’s history to deal with, and there are a ton of guest stars with SUPER WEIRD backgrounds which lead us to speaking about whether bands could have been around to have songs on the Iron Eagles II soundtrack, bathing beauty contests, Carmelo Anthony’s very public and extremely inconsiderate birthday present to his wife, and another truly wild IMDb self-penned biography. This one starts wild and ends wilder in ways you wouldn’t have predicted.

This week, The Randomizer gifted us with the full Season 1, Sex Crimes, experience.

Were there wildly salacious, sexual details? Check. Was there an unnecessary amount of esoteric racism? Obviously. Was there a heavily featured banana in a butt? Yes there was. We also get whisked along on Adam's memory lane as he waxes poetic about his time on Brighton Beach.

While the later stages of the Neal Baer Era of SVU were often punctuated by whiplash-inducing flips of the script into wild new directions, few episodes start off in as strange a place as this one. In what might just be the only time in this show's nearly 600-episode run, we dive into the world of vampirism.

With a melange of Ripped from the Headlines story points peppering the subject of this week’s installment, Season 5, Episode 8 “Abomination,” there is A TON for Adam and Josh to talk about, including Matthew Shepard, Lawrence v. Texas, the odious Westboro Baptist Church, the sham that is conversion therapy, and Oscar-nominated actor George Segal. But don’t worry, there’s plenty of talk about what really matters to you: hypotheses on the possibly sketchy operations of East Village gay bars, the evolution of acceptable language in television and film, how insanely problematic the movies of our youth are, in-depth analysis of characters’ eating habits, and the warped mindset created by the repeated ingestion of the general insanity of Law & Order: Special Victims Unit.

This week we watched an aptly titled episode which follows a series of rape allegations against a recently retired basketball star.

In addition to classic Warren Leight Era racism, this is an episode in which Olivia Benson, improbably, thinks it's cool if people are falsely accused of rape in a shameless bid to end a black man's endorsement deal. We are also treated to some terrible accent work and to newly minted Detective Carisi's delightful mustache and Staten Islander pizza choices.

When we asked our listeners to select an episode for us to watch, we were asking for a choice as depraved and cruel as this, the episode that see beloved ADA Rafael Barba exit the show in ridiculous (and frankly, insulting) fashion. This episode has everything--if by 'everything' you mean bad acting, nonsensical writing, bizarre plot holes, and Phillip Winchester attempting to cry. Bad though this episode might be, we have so much to talk about including whether or not it's a good idea to rear a spite child, Adam's day at the museum, and the importance of a showrunner. Fans of our digressions should head over to Patreon to hear extensive deep dives into Japanese Onsen culture and minor league baseball.

The Randomizer (episode.lol) spat out the final episode of the disastrous Michael Chernuchin Era, which meant the Munchie Boys were force-fed the final part of some serialized content. Of course, here, this means we have long-time series regulars acting entirely uncharacteristically, including characters we'd known for 20 years. Perhaps more importantly, this episode eschews all common sense, asking society to act insanely in addition to its characters. This episode brings a season to a close that almost killed the series, and it's bad enough that Adam and Josh have to ask if it shouldn't have been put down.

Our first ever Season 26 episode answers a question I've never asked: what is to be done with all those VR headsets Silicon Valley tried to force on us before they forced AI on us? The answer is: so that bad dads can teach their teenaged sons about the birds and the bees by forcing them to watch brutal POV strangulation porn which in turn leads to a series of assaults on teen girls. We also meet Detective Kate Silva for the first time on MMB and wish we'd been watching the episode happening in a parallel timeline about the playground footlicker instead.

Yet another Season 19 episode of SVU leaves the Munchie Boys scratching their heads wondering in just what world is this even occurring. Opening with an improbable YouTuber montage and having the case of the week closing with a full seven minutes of run time remaining to open the door for an SVU lyceum at a high school, this week’s 13 Reasons Why-inspired episode (Season 19, Episode 4 “No Good Reason”) is operating at one of the strangest frequencies we’ve encountered. This one forces Adam and Josh to reckon with vlogging that makes Eighth Grade seem totally comfortable, how and when they’re going to have to get a ChatSlam account for the podcast, and the murky demise of Chester Bennington and Chris Cornell.