After kicking things off with Adam’s tales of neglected hot tub maintenance, the Munchie Boys step into the world of early Season 13 where a new writing staff ventures off into a Stabler-less world. Where some episodes may not be as boldly helmed and written, this is a fantastically directed, process-concerned contemplation on how a rape and its ensuing investigation affects the victim in the days and weeks that follow.

It also features Munch’s former Homicide fellow detective after an apparent name change from Frank Pembleton to Bayard Ellis, who is apparently now a civil rights defense attorney. Yes, this one’s got none other than 11-time Emmy nominee (and two-time winner) Andre Braugher. Don’t worry, we also talk at length about a cast member’s involvement in a meditation cult and how it colors our undying appreciation of Mandy, the undeniable sexual energy between Braugher and Hargitay, and the notion of an SVU without Olivia Benson which was apparently in the cards.

This week we watched an episode unlike any other SVU in the catalog. A young girl from Kansas is abandoned by her Fireball-shooting friends, drugged with exotic psychedelics, raped, and forced to dig her own physical and metaphorical grave by the acolytes of a famed radical psychologist who just so happens to have been SVU's own resident Alice-In-Wonderland-expert Amanda Rollins's former guru. Between blue rape avatars, expensive music cues, and extensive literary references, things get pretty weird. This, of course, is all just fuel for the Munch fire as Josh and Adam discuss the hero's journey; pedicab culture; early 20th century Swedish folklore illustrator, John Bauer; famed ethnobotanist and drug user, Terrence McKenna; famed memoirist and sex haver, Anaïs Nin; and whether or not we're too old to pick up trendy new drug habits. This is a wild ride folks. Hold on tight!

Faced with an episode with a helluva third act left turn, Adam and Josh reckon with a first-half A-plot borrowing heavily from the Terri-Rick saga in Degrassi before the second half shockingly grasps for a ripped-from-the-headlines story with a crooked juvenile court judge inspired by the nefarious goings-on in Luzerne County, Pennsylvania. This leads to an exploration of both the Luzerne County Kids for Cash scandal and the grotesque systemic judicial overreach currently happening in Rutherford County, Tennessee.

Don’t worry, Josh and Adam find plenty of non-infuriating things to talk about, including the bizarre connection between Melinda McGraw and Alex Kingston, delightfully impossible photoshopping, Icelandic reproduction clearance apps, Lehman Brothers tearing the US economy to shreds, the origins of sexting, what other franchise Stuckey really belonged in instead of SVU, and (of course) Meloni’s rock-hard buns.

Come get some.

Josh and Adam get a little loose in this late-night follow up to last week's wild William-Lewis-fueled terror ride. Since "Post-Mortem Blues" is the rare SVU without a case for the squad to investigate, or really much of a plot at all, the Munchie boys complain about life and then wander from current (as of early December 2021) events and HBO's Succession, to method acting and the limits of attorney-client privilege on their way to placing this episode where it belongs in the show's pantheon.

Having drawn the all-timer “Beast’s Obsession” (S15E20) this week, the Munchie boys reckon with the Unit reckoning with Sgt. Olivia Benson reckoning with an escaped William Lewis, in quite possibly the torture-porniest episode of SVU in its storied history. With one of the most infamous perps in the 23-year-and-counting history of the show heinously raping, disfiguring, and dropping bodies left and right, Adam and Josh are left to watch in horror as Liv is once again shown to only be able to have a sex life in which violence is a key component and as featured extras are ignominiously and exploitatively corpsed for what they hope was at least SAG scale. They also lament the end of two acting careers before they’d really been able to begin, as two very young females were put through the violently sexually inappropriate grinder to further the horrific legend of Liv’s biggest tormentor.

As always, Adam and Josh veer off course with reckless abandon, exploring such varied topics as the job prospects for audition-shy mandolinists in NYC, the proper placement of dream catchers, why this show is so clearly anti-Bang energy drink, whether it’s gauche to lay the groundwork for an extramarital affair while working a protection detail, and Adam’s personal bridge rankings and grocery store journey through New York. So strap in for a wild ride, as Liv goes is on the bullet train to hell and we're all passengers alongside her.

When The Wonder Years ended almost 30 years ago, no one could have imagined the incredibly dark turn that Kevin Arnold's life would take. Yes, Mr. Arnold's death, Paul's going to Harvard, and Winnie to a long and successful career on the Hallmark Channel were all disturbing outcomes, but this is much worse. This SVU shows little Kevin Arnold beating, raping, and then re-victimizing women across the Upper West Side. This obviously provides tons of fodder for the Munch mill as we dig into a really great episode of television. We talk Jeopardy! prep, our favorite lawyer lover plot twists, and Josh takes us on a particularly unexpected trip through the shenanigans of the Warwick R.I. city council. Enjoy!

Yet another Season 19 episode of SVU leaves the Munchie Boys scratching their heads wondering in just what world is this even occurring. Opening with an improbable YouTuber montage and having the case of the week closing with a full seven minutes of run time remaining to open the door for an SVU lyceum at a high school, this week’s 13 Reasons Why-inspired episode (Season 19, Episode 4 “No Good Reason”) is operating at one of the strangest frequencies we’ve encountered. This one forces Adam and Josh to reckon with vlogging that makes Eighth Grade seem totally comfortable, how and when they’re going to have to get a ChatSlam account for the podcast, and the murky demise of Chester Bennington and Chris Cornell.

On this week's Munch My Benson, we wonder openly if the world would be a better place if the two leading actors from a certain 1985 Peace Corps comedy had a little less chemistry. While we certainly do break down this Season 12 stinker ("Delinquent") from the dark days just before Meloni left SVU, we go hard on the digressions in this one folks, so get ready for the only SVU podcast brave enough to incorporate Dolph Lundgren's Japanese bonafides, Finnish art house darling Aki Kaurismäki, and radical fecal gymnastics in a single episode.

Super famous Oscar-, Emmy-, and Tony-winning actor Jeremy Irons sashays through this week’s wonderfully messed up episode of SVU, attempting to reckon with his out-of-control Cape Cod Summer o’ Sex two decades prior. Of course, if it comes up in the course of an investigation on this program, you know the effects are still being felt of his indiscriminate adulterous boning of everything that moved in Falmouth, and this time, they’ve gotten his daughter and her lover attacked.

This gleeful voyage into the world of sexual addiction is fertile ground for plenty of discussion about such subjects as: parsing the paradoxical simultaneous adoration of Tony Blair and loathing of George W. Bush, tattoo critique, teen boys having pervdar, the strange ol’ days of Spice, summers on the Cape (and the corresponding nighttime water temps), the Kamadeva, and the broad, beautiful spectrum of paraphilias. Turns out, there’s tons of fun to be had when Jeremy Irons is a recovering sex addict trying to get his addiction codified in the DSM-5.

This week, Josh and Adam are thrust into a terrifying world where the laws of physics and mankind are tossed aside without hesitation. That world is called Chicago. Our SVU for this week is sandwiched in between an episode of Chicago Fire (S3E7 “Nobody Touches Anything”) and a Chicago P.D. (S2E7 “They’ll Have to Go Through Me”). While one does not need to watch either of these to enjoy our SVU, we obviously dove into the deep end with a fun-loving crew of Vegas-visiting, zumba-instructing, bounty-hunting firefighters and then waded through the muck with a morally dubious band of police officers. It provided us with a veritable matryoshka doll of tangents within tangents as we break down all the action from nearly 3 hours of television. We talk Shirley Chisholm and the Chelsea Piers. We speculate about the kind of person who gets a Joe Paterno tattoo in 2021, and Josh gets Chicago pilled.

When proffered the box of “Pandora” (S4E15)—phrasing?—Josh and Adam were forced to deal with yet another episode of SVU wherein many children fell victim to an international cabal of pedos, complete with one getting to proudly espouse his party platform to the detectives of SVU and a network television audience. This one hurtles forward at breakneck speed, taking Elliot from New York to Prague and back before the final act has even started. Along the way, Adam and Josh marvel at the way that early SVU writers had no real concept of how computers and the internet worked, the defenestrations of Prague, the endless stream of actors who REALLY pass for pedos in the SVU stable, and the emergence of Zero Dark Stabler. We’ve said it many times previously, but the label definitely fits here—this one is wild.

We at Munch My Benson like to go off on tangents, and the intellectual fuel provided by "American Tragedy" (S15E3) propelled us pretty far out there. We learn about old New York when it was still basically New Amsterdam; we break down Cybill Shepherd's accent as it wavers in and out of caricature; we delve into the Trayvon Martin and Paula Deen cases from whose headlines this episode was ripped; we learn about John Cougar Mellencamp's extended family; and, we definitely talk about whether or not it's socially acceptable to deck a bald man in the middle of the night on a lonely street corner. Enjoy!

Mere weeks after covering its successor in the Baby Doe Parentage Saga, the Randomizer selected “Undercover Mother” (Season 16, Episode 15) for the Munchie Boys to cover. Undercover Mother is frankly an insufficient moniker to give this episode, as another mother goes undercover for our undercover mother, along with most of the rest of the Unit. Insanity reins supreme as SVU’s undercover op interferes with Declan Murphy’s own undercover op, one in which he’s working on taking down the brutal Johnny D but not without showing that he’s in so deep that he’s basically a human trafficker himself. We talk the careers of Lili Taylor and Donal Logue, the history of the defunct Creedmoor Psychiatric Center, Eric Adams’s purported sleep schedule, SVU’s love for undercover ops, and much, much more.

It's a bittersweet week on Munch My Benson as we say goodbye to a character who predates Law & Order: SVU itself ("Wonderland Story" S15E5). Thankfully, John Munch's going away party gives us plenty to discuss. Josh talks for a solid ten minutes about a no-line featured extra (albeit a particularly influential one). Adam describes his ongoing, probably imagined, but possibly real feud with legendary playwright David Mamet. We also talk Delco accents, imagine Rollins's post-sobriety social life, and get deep into the world of caterer-waitress fetishism. Come revel in the storied career of one of televisions most memorable detectives, and please Munch everyone's Benson.

The Munchie Boys faced down a stark depiction of hard-scrabble life in the projects in Guardian (Season 19, Episode 21). As this is Chernuchin’s special brand of SVU, nuance is nowhere to be seen, and stereotypes nearly exclusively populate this world. But don’t think that just because this episode centers around a brother who’s pimped out his mother and sister that there aren’t the typical diversions, including a diatribe on French roast, a dive into the Five Percent Nation and its influence on ‘90s hip-hop and preservation of New York in 1968, and a brief discussion about the grotesque miscarriage of justice that was the arrest and conviction of the Central Park Five. It’s just another wild week in Munchland.

People, this episode of Law & Order SVU ("Strange Beauty" S13E22) is why we do this podcast. Steve from Sex And The City pays women for the pleasure of removing their left legs so that he can "appreciate" their "improved" bodies. If this doesn't make you stop what you're doing and ask, "WTF?", I don't know what will. This show manages to impugn dentistry, cab drivers, Sikhism, car services, pigeon handlers, bike mechanics and especially (like especially especially) psychiatry, and yet it treats the potentially fraught subject of extreme body modification with a reasoned and compassionate touch. We, of course, dive into a variety of strange diversions including superfund site freeganism, what Melinda Warner is truly "into," and what you can—and cannot—get away with in a storage unit. This one is for the ages, folks. Enjoy!

When the Randomizer selects a late-season SVU, there is often a concern that sets in that we might not be getting the best of the insanity that SVU has to offer. That concern was UNFOUNDED with regards to “Motherly Love” (S18E10)—which is a banger in every sense of the word. After having seen nearly 500 episodes of SVU and recorded 77 episodes of a podcast about the show, it’s safe to say that the Munchie Boys have been subjected to some unimaginably shocking things, yet this one still dropped their jaws with its brazen impropriety.

So listen as Adam and Josh revel in a truly disturbing exploration of motherhood in its darkest form. This episode is as good an exemplar as any when trying to describe why this podcast exists.

When The Randomizer chose the week's episode—Venom (S7E18)—listeners would be forgiven for thinking they might be embarking on an hour's worth of sub-par television, but they'd be wrong. This—the first half of Ludacris's voyage through SVU (we covered part 2 in Episode 51 of Munch My Benson, "You Can't Eat Ethan Hawke")—features some standout performances and wildly inappropriate content. The Munchie Boys obviously break it down in lurid detail and answer an assortment of essential questions: How to dig a shallow grave? Why are they still making courtroom dramas? What are Liam Neeson's most underrated films? And of course, how many times is too many times to say "nips out on a gurney?" This one will make you wish Tej Parker would open up an East Coast branch of his car-modding, bro-hugging crime syndicate. Enjoy!

The Randomizer has thrown the Munchies Boys into the deep end this week, thrusting them into the sixth staggered installment of a sex-trafficking saga centered around Noah’s father and a ragtag crew of severely traumatized sex workers—”Surrendering Noah” (SVU S16E23). Here, there’s a ton to unpack. How do they keep Baby Doe calm? Why did they slam Elliot at the end of the episode? Why did both Benson and Amaro think he’d be a good candidate for Sergeant? Buckle up, kiddos, it’s another wild ride, and this one has Nick Amaro riding off into the sunset after suiciding-by-cop Noah’s monster dad.

This week, the Randomizer (thanks, Flett) blessed us with an unforgettable episode of Law & Order SVU ("Unorthodox" S9E13). It starts with an absolute bang and then careens madly between isolationist ultra-orthodox Jewish sects and porn addicted preteens. Of course, we Munchers go even further afield as we question the existence of an upper peninsula, rank our favorite ape films, and uncover the supernatural engine that powers Casey Novak's courtroom success. This is truly an episode worth savoring. Enjoy!