Ever wonder what would happen when Benson, Stabler, and the Unit get tangled up in an investigation that sends them looking into the Gulf Cartel, the FBI, Los Zetas, the CIA, and Cuban revolutionaries? Well, wonder no longer because this time around we are diving in to Season 11, Episode 6 "Spooked" featuring Vincent Spano reprising the role of FBI Special Agent Dean Porter. It starts with the SVU version of the Wet Bandits finding a pair of staged corpses with a rape tree and some stolen implants in the back of a box truck and just gets stranger from there. It may not make sense, but “Spooked” is a helluva nonsensical fever dream.

In the course of watching 112 episodes of SVU, few things have shocked us as much as seeing the writers of this show take a measured and nuanced approach to not one, but two decidedly problematic issues in polygamy and female genital mutilation. That these both appear in an episode that gives screen time to topics including "stop snitching" culture, tide charts, epilepsy, and one of Elliot Stabler's former flings means there was a whole lot to discuss. The true die hards will want to check out our Patreon for an extended history of the Biafran War from Adam, Josh going full on Rage Against The Machine, and the two of us nearly coming to blows over the availability of liquor stores in southern Utah. There is way too much fun/dumb stuff in this one folks!

IT IS HERE! LUKE PERRY, Y'ALL.

Are you holding onto your butts? Are you ready to have Law & Order: Special Victims Unit lay waste to your childhood? To destroy the sacred bond you shared with THE heartthrob of the '90s? To see the profound damage said heartthrob did to the very recognizable women he violated after leaving the glamorous environs of Beverly Hills?

In what might be the stuntcastiest episode in SVU's storied history, Dylan McKay (Luke Perry) does some pretty bad things to Darlene Conner (Sara Gilbert), Carol Vecsey (Julie Bowen), and our collective innocence. This episode is what started this whole venture back when it little more than a bitchin' name. Yes, via this insane show, Dylan McKay rapes our youth.

What this delightful episode of SVU (S11E18 Bedtime) lacks in terms of coherent three-act structure or thoughtful character development is more than made up for by the absolute cavalcade of bonkers plot lines and instantly recognizable famous people. Ann-Margaret justifiably won an Emmy for her turn as the perma-drunk Rita Wills. William Goddamn Atherton plays a petulant serial killer! Morgan Fairchild gets about 30 seconds of screen time! Liv and Elliot get propositioned for a threesome! Theres so much fun in this episode you're going to have to just dive in and revel in the madness.

Loganville, Georgia comes to New York City as Rollins spearheads the investigation into a hot-shot college football recruit who comes to visit Hudson University. Of course, Hudson University does its thing, and her hometown hero is left irrevocably changed for the worse. We also dig a bit into Danny Pino and Kelli Giddish's pasts, explore the nature of Rollins's betting proclivities, and talk a little bit about Michael Sam.

This week, The Randomizer selected "Lowdown," which features Fin's exquisite description of "down low" culture. Sadly, this episode goes so hard on inappropriate "humor" that Josh was forced to make a running count of things you wouldn't (and shouldn't) say on TV in 2022. As we break this down, you'll hear about the police riot on Adam's block, Kevin Brown's sinker, and the art of mise-en-scène. You won't, however, hear the nearly 50 minutes of wild digressions about dumplings, Kenny Rogers, Kelvin's muscle boys, and the Kinsey scale unless you subscribe to our Patreon.

Well, we've got ourselves another Mo-Mo incident in Times Square... Needlessly picking up right from the smoldering wreckage of Liv freeing herself from her captor William Lewis, we get a stark ripped-from-the-headlines episode delving into the infamous Ariel Castro case. Kidnapping victims are held in cages in the basement and raped for decades, and Liv's PTSD is still very real. This episode dwells in darkness.

When last week's episode ended with Olivia Benson being taken captive by über-psychopath William Lewis, we knew that we'd be going deep into the darkest hour of SVU's storied run this week. This is 43 full minutes of torture porn so bleak and visceral that it's honestly shocking it aired on network television. Please prepare yourself for how messed up this episode is. Thankfully, Josh and Adam munch it up by talking about a diverse range of European arthouse classics you wouldn't want to bring a date to, our coffeeshop orders, and whether or not Pizza Man exists within the Fur Humper Cinematic Universe. Oh, and lest we forget, Adam has an outlandishly bold theory which just might change the way you look at Olivia Benson forever. Enjoy!

The Randomizer decided that everyone needed to wallow in the darkness of the William Lewis Saga again, this time starting at the beginning with “Her Negotiation,” the season finale of Season 14 complete with cliffhanger leaving our hero Olivia Benson in a very dark place. This obviously means the Munchie Boys have to deal with fur-humping, Plein Air Painters, the life's work of Frederick Law Olmstead, and the shooting star that was Matt Harvey's early baseball career. Oh, and a pastiche serial killer drawing from some of the darkest imaginable sources.

Well, if you've ever seen a Season 1 SVU, you'll know that the show worked a little differently back then. If you see this episode from Season 1, you'll gain entrance to a world where things are fully upside down. Here we see tan lines in wildly improbably places, sex-positive waitstaff, disgraced pedophiles who blossom as well-intentioned tailors, train-obsessed teens, and, quite possibly, a travel writer with an unspeakably bizarre kink. As if that's not enough weird, we Munchers go even further off script and dive deep into tainted muskrats, Le Corbu furniture, impossible addresses, and the origins of the Garifuna people. Yeah, we go hard in this one people.

This week, The Munchie Boys tackle a Finisode preoccupied with unpacking Fin's history while an undercover with Narcotics, more than a decade after the fact. Rollins gets improbably shot, which leads to an unhealthy dose of police brutallity and metaphorical prison rape threats, but that's not nearly as shocking as some truly disturbing home-decor-driven revelations upon meeting a seemingly normal family with a secret left unspoken.

Wherein the Munchie boys dive into an episode that treats schizophrenia with an altogether un-SVU-like degree of nuance. Along the way, we wrestle with the consequences of our actions as we are forced to issue the very first Munch My Benson correction thanks to listener, Kara, who noted that Connie Nielsen's accent shenanigans were explained in the show, and in the SVU Fandom wiki page. Josh dog sits, Adam gets into a fight with pharmacy employees, and we go extremely deep on the munchiest of topics: the mechanics of Casey Novak's softball swing, window screen installation, the origins of the Albanian language, the many, many failings of CSU Burt Trevor, and a whole lot more.

Adam and Josh wrestle with a high-profile headline rip as Reasonable Doubt casts Bradley Whitford as the Woody Allen/Roman Polanski analog in an episode that doesn't do a particularly good job of establishing what its title might suggest it should: Reasonable Doubt. Rollins and Amaro don’t believe women, a faux celebrity couple act out the Woody/Mia divorce virtually note for note, and anti-Tibetan racism runs amok. In other words, SVU still SVUs. Adam looks into the Roman Polanski rape case and the victim and poses the ideal solution for what the US Government should do with the frozen real estate of Russian oligarchs, while Josh wonders whether this episode acts in tandem with the one that follows it in sequence to mete out some revenge on The West Wing. Y’know, Munchie stuff.

It's our 100th episode of Munch My Benson, and what better way to celebrate than with an episode of Law & Order: SVU that does not have Olivia Benson in it at all. In classic fashion, The Randomizer threw us a curveball and drew a Beckisode fronted by Connie Nielsen for our benchmark podcast which features a stand-out performance from apex-child-actor, Elle Fanning. Come along as we discuss primary nuclear strike targets, NXIVM, the correct name for the 2008 film Rambo, and projecting a 17-year-old Josh Brolin.

The Munchie Boys pick up where they left off last week, trudging through the murk as Ray’s tall brother faces the fallout from having been charged as a serial rapist while the Correction Officers’ Benevolent Association possibly threatens Barba’s life for having the temerity to come after one of their guys. This fallout includes the first—and thus far, only—time an officer on the Unit dies in the line of duty, which gives Adam and Josh quite a bit to mull over while wondering why the stakes were lowered so much before offing him. Any episode that has Chekhov’s gun go off while also not having Chekhov’s gun go off means there’s going to be plenty of plot discussion to be had. There are also plenty of discussions about the typically insane things that SVU forces one to reckon with, namely intimidation wizards, phantom door-locking chicanery, the hilarity of needing apple boxes in hostage shoots, and much, much more.

Hot on the heels of an episode that nearly broke our rating scale, the Munchie Boys watched Part 1 of a two-parter featuring Ray Romano's kooky brother Robert from the hit turn-of-the-century sitcom for olds, Everybody Loves Raymond. Fans of that show will remember that the actor in question, Brad Garrett, is really, REALLY tall. This causes the kind of continuity problems that only SVU can create. We're obviously talking about complex genital geometry problems. We would, of course, be remiss if our discussion stayed on topic, so expect to hear about Chinese New Year, more car talk from Josh, Rikers Island, and Predator.

Wanna hear what happens when an episode breaks the Munchie Boys and their patented SVU-episode scoring system? Well, “Possessed” (Season 12, Episode 12) broke it like the Kool-Aid Man. Next to every other of the 96 episodes they’ve watched so far, this beautiful piece of art had Adam and Josh contemplating some pretty grand concepts like: was Jerry Horne’s Twin Peaks walkabout really a representation of the liminal state at the end of his life where he was just looking for his Brandy? what exactly was contained within the pages of Buzz’s skin mags that Kevin couldn’t wrap his head around in Home Alone? where is the line where we progressives can stomach police brutality? are we seeing the tripartite peak of pedo performance?

If this were a podcast that employed trigger warnings, it’d probably have to get tagged with all of them. Instead, you are advised to hold onto your butts. There is simply an abundance of insanity that’s too fantastic to ignore. Bask in the glow of “Possessed,” listen, and rejoice.

Sometimes life gives you lemons, and sometimes--if you happen to be on Season 12 of SVU--life gives you three days’ worth of legendary caulkhead, Jeremy Irons. It is a testament to the bizarre universe this often beautifully odd show inhabits that they chose to use that time to have him unpack the psychological trauma borne by two sisters who were repeatedly spoon-raped by their own mother. Yeah, this episode goes there, then turns around, and goes back for more. We, of course, use this absolutely depraved premise as a springboard into discussions of Josh's car troubles, Adam's isolation, the poor woman's Glenn Close, the rich man's Bryan Brown, and, obviously, our plans to ride out armageddon. As always, rate and review the podcast, and keep on munching.

Did you know that Liv tells a suspect that she knows he “stabbed the Captain with a pickle?” That’s no typo. It’s in this beautiful episode of television.

The fates (and by fates, we mean episode.lol, built for us by friend of the pod, Flet) elected to bestow upon the world the Valentine’s Day gift of Wetness—specifically S12E5 “Wet,” which is truly one of the most balls-to-the-wall, front-to-back utterly insane episodes the Munchie Boys have embarked upon in a podcast brimming to the top with insane installments. Moving past its fantastic name, this SVU is centrally concerned with: SexProwl, a professionally conceived “YouTube of sex” wherein true douchebros have a following; Soda being little more than poison for our youth; Corporations trying to buy up our water supply and the dastardly tactics they’ll employ to meet their goals; Fungi, which should never be used to hurt anyone; The true horrors that inherited wealth wreak upon the rest of the world, namely bad performance art, unwarranted cocksurety, jewelry-related guilting, unloving guardianship, drug addiction, and the framing of innocent mycologists for murder

Seriously. Mushrooms, soda being poison, water rights, and horrible rich people. And it gives David Krumholtz a truly Krumholtzian role to jazz rant his way through. This is all a gift to humankind, and we’re glad to be here for it.

This week, the world's largest airline ensured that this episode could not be released on time. To all of the listeners whose Monday mornings were tragically impacted by this unfortunate event, we at Munch My Benson are truly sorry.

Sadly, the writing staff of Season 13 of SVU was absolutely unapologetic in thoroughly trashing the second largest city in the state that SVU calls home. We've seen this show look askance at lesser states and provinces across the continent, but the glee with which this episode implies that Buffalonians will stop at nothing to ensure that their own children grow up in unsafe homes is truly shocking. Josh and Adam, of course, talk early childhood education, examine the films of Satyajit Ray and Michael Cimino, describe bottomless brunches and lil' squeezers, and plumb the depths of Rollins's depraved backstory. Enjoy!